Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
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Classification: Painting
Medium: Oil
Support: Canvas
Year: 1911
1911.11
Hombre y mula
Alternate title: La mula
c.1911
Oil on canvas
12 1/2 x 19 1/8 in. (32 x 49 cm)
Signed lower right: J. Torres-Garcia; undated
Dedicated lower right: a Xenius
Private collection, Barcelona
Provenance
Private collection, Madrid
Private collection, Barcelona
Exhibitions
Galerias Dalmau, Barcelona, Spain, Exposició de dibuixos y pintures de J. Torres-García, January 20–February 11, 1912, no. 34.
Museo Nacional de Artes Visuales, Montevideo, Uruguay, Joaquín Torres-García, Época Catalana (1908-1928), August–September 1988, no. 21, ill., p. 80.
Fundación Cultural MAPFRE VIDA, Madrid, La generación de 14: Entre el Novecentismo y la Vanguardia, April 26–June 16, 2002, ill., p. 113, Materials as watercolor on paper.
Published References
Jardí, Enric. Joaquín Torres-García. Barcelona: Polígrafa, 1973, ill. p. 39, no. 53.
Mercader, Laura. Eugenio d'Ors: del arte a la letra. Madrid: Museo Nacional Centro de Arte Reina Sofía, 1997. Exhibition catalogue, ill. p. 27, as La mula.
Maslach, Adolfo. Joaquín Torres-García: sol y luna del arcano. Caracas: UNESCO, 1998, ill. p. 125, no. 29.
The Menil Collection. Joaquín Torres-García: Constructing Abstraction with Wood. Houston, 2010. Exhibition catalogue (2009–10 The Menil Collection), ill. p. 199.
Remark

Published under the pseudonym Xenius, to whom this painting is dedicated, Eugenio d'Ors wrote his most famous book, La ben plantada (The Well-Planted One) in 1911.  La ben plantada is an allegory of Catalunya and one of the primary literary works of the Noucentisme movement.  Significantly, the book includes a description of this painting by Torres-García among its passages:  "On another occasion, the landscape is thus composed: In the back, a low tranquil hill.  On the left, a solitary, strong tree.  On the right, a small farm.  Near the tree rests a cart, its handles aloft and silhouetted against the light.  Two men drive slowly from the cart to the house, one in front and one behind a fine mule with a white belly.  This scene is taken from a small canvas by Torres García and guides our understanding today of the dedication of The Well-Planted One

("En otra ocasión, se compone así el paisaje: En el fondo, una baja colina tranquila. A la izquierda, un árbol solitario y fuerte.  A la derecha, una alquería enana.  Cerca del árbol, un carro reposa, con los brazos en alto, recortándose, finamente, a contra-luz.  Dos hombres, uno delante y otro detrás de un mulo fino, de blancuzca panza, lo van conduciendo poco a poco y en silencio desde el carro a la casa.  Esta escena, la copia la realidad de una pequeña tabla admirable de Torres García.  También la contempla hoy nuestro entendimiento bajo la advocación de la 'Bien Plantada' ").  (p. 74 of La bien plantada, 1913 translated edition from Catalan into Spanish by Rafael Marquina.)

Record last updated February 24, 2017. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Hombre y mula, c.1911 (1911.11)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=196 (accessed on May 6, 2024).