Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
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Classification: Mural
Medium: Enamel paint
Support: On wall
Year: 1944
1944.28
El pez
Alternate title: Pez universal
1944
Enamel paint on wall; transferred to canvas and mounted on stretcher September 1972
73 5/8 x 112 3/8 in. (187 x 285.5 cm)
Signed center right: J.T.G; dated center left: 44
Exhibitions
Museo Nacional de Artes Plásticas, Montevideo, Uruguay, Torres-García, July 1974, IV, ill.
Musée d'art moderne de la Ville de Paris, France, Torres-García: Construction et Symboles, June 11–August 1975, no. 71. Traveled to: Museo de Arte Moderna de Rio de Janeiro, Brazil, June 8–July 22, 1978 (América Latina Geometria Sensível).
Published References
Torres-García, Joaquín. Nueva Escuela de Arte del Uruguay. Montevideo: Publicaciones de la Asociación de Arte Constructivo, 1946.
Torres-García, Joaquín. "Del libro Universalismo Constructivo 'La Belleza y El Arte' —Arte Constructivo." Paso de los Toros. La Idea (Montevideo) (October 24, 1950), ill.
Balboa, Robert. "Don Joaquín Torres-García: hoy se inaugura el Gran Museo de nuestro pintor." Acción (Montevideo), July 28, 1955, ill.
"Cirugía en obras maestros." Última Hora (Montevideo), July 21, 1972, ill.
Jardí, Enric. Joaquín Torres-García. Barcelona: Polígrafa, 1973, ill. p. 251, no. 367.
"Extraordinario Dedicado al Pintor Torres García." Mundo Hispánico (Madrid), no. 326 (May 1975), ill. on cover.
"Estos son los Torres García perdidos para siempre." El Día (Montevideo), July 23, 1978, ill.
"Tragedia Cultural: El Fuego Arraso 70 Torres García." El País (Montevideo), July 9, 1978, ill. on cover.
Torres-García: Obras Destruídas en el Incendio del Museo de Arte Moderno de Rio de Janeiro. Montevideo: Fundación Torres-García, 1981, ill. p. 24-25, no. 2.
Institute of Contemporary Art. The Antagonistic Link: Joaquín Torres-García/Theo von Doesburg. 1991. Exhibition catalogue, ill. p. 174, no. 132.
Pereda, Raquel. Joaquín Torres-García. Uruguay: Fundación Banco de Boston, 1991, ill. p. 178.
"Tercera época, año VII." Cuadernos de Marcha (Montevideo), no. 69 (March 1992), ill. p. 28, as El pez.
Roland, Eduardo. "La Triste e increible historia de los murales del Saint Bois." Cultura Edition "Torres-García y los Murales del Saint Bois", July 4, 1997, ill. p. 81 and 85.
Maslach, Adolfo. Joaquín Torres-García: sol y luna del arcano. Caracas: UNESCO, 1998, ill. detail p. 580, no. 380.
Battegazzore, Miguel A. J. Torres-García: La trama y los signos. Montevideo: Gordon, 1999, ill. p. 232, no. 236.
Gradowczyk, Mario H. Torres-García: Utopía y Transgresión. Montevideo: Fundación Torres-García, 2007. Exhibition catalogue, ill. p. 322, no. 8.27.
Museo Gurvich. Murales TTG. Montevideo, 2007. Exhibition catalogue, ill. p. 112, no. 4.
Bulanti, Maria Laura. El Taller Torres-García y los Murales del Hospital Saint-Bois: Testimonios para su Historia. Montevideo: Linardi y Risso, 2008, ill. frontispiece and p. 171.
Torres-García, Traços de Nova York. Rio de Janeiro, 2010. Exhibition catalogue (2010 Caixa Cultural), ill. p. 31.
Miguel Carbajal. Arte uruguayo de los maestros a nuestros días: Joaquín Torres-García. Montevideo: El País, 2011, ill. p. 67.
Sanchez Vidal, Agustin. Joaquín Torres-García. Madrid: Fundacio MAPFRE Instituto de Cultura, 2012, ill. p. 75.
Arte y arquitectura en Uruguay 1930-1970. Montevideo: Gráfica Mosca, 2015, ill. p. 58, as El pez.
Museo de Bellas Artes de Murcia. Joaquín Torres-García 1874-1949. Tipografia San Francisco, 2015. Exhibition catalogue, ill. p. 21, as Pez universal.
Remark

About the 1978 fire in Rio de Janeiro, Brazil

At daybreak on July 8, 1978, a devastating fire reduced the Museum of Modern Art in Rio de Janeiro to ashes. It was the worst catastrophe suffered by a museum since World War II. Twenty-five years later, there are several things worth recalling about this sad event, not least that it could have been avoided, as the Museum had been alerted by the International Council of Museums that it lacked the basic equipment to extinguish a fire.

Although the origin of the fire was never conclusively established, it is believed that it began in the auditorium after a performance earlier that night. The show had ended late and the watchmen closed the premises just before they left. A hastily extinguished cigarette or a short circuit were listed as possible causes. Someone driving by the Museum alerted the fire department. The first units to arrive were helpless to act, as the Museum's main water supply was shut off because somewhere in the building there was a leaky faucet. When the firefighters finally succeeded in getting the water flowing, it was too late to salvage anything. The fire had rapidly spread through the flammable partitions and the ventilation ducts. The New York Times of July 9 reported the blaze on its front page, describing how hours later, the building's concrete shell was still smoking, littered with piles of dirty gray sludge and broken glass.

Read more about the 1978 fire in Rio de Janeiro, Brazil »

Record last updated February 24, 2016. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "El pez, 1944 (1944.28)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=1827 (accessed on November 23, 2024).