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Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
Catalogue Entry
1932.32
Pez
1932
Oil on canvas
20 7/8 x 25 1/2 in. (53 x 64.8 cm)
Signed lower left: J. Torres-GARCIA; dated lower right: 32
Provenance
CDS Gallery, New York
The Brillembourg Capriles Collection of Latin American Art
Sotheby's, New York, November 17, 2021, Modern Art Day Sale - Legendary Masters: The Brillembourg Capriles Collection, lot 175.
Exhibitions
1985–86b Hayward Gallery
Hayward Gallery, London, Torres-García: Grid-Pattern-Sign: Paris-Montevideo 1924-1944, November 14, 1985–February 23, 1986, no. 47, ill., p. 49. Traveled to: Fundació Joan Miró, Barcelona, Spain, March 13–May 4, 1986; Stadtische Kunsthalle Dusseldorf, Germany, June 28–August 17, 1986; Center for the Fine Arts, Miami, September 14–November 9, 1986; Museum of Fine Arts Houston, Texas, February 14–April 5, 1987.2013 MFAH
Museum of Fine Arts Houston, Texas, Intersecting Modernities: Latin American Art from the Brillembourg Capriles Collection, June 20–September 2, 2013, ill., p. 77, plate 16.Published References
Building Design 1986
"Beyond the Fringe." Building Design (London) (January 17, 1986), ill. p. 20-21.Braun 1993
Braun, Barbara. "Joaquín Torres-García: The Alchemical Grid." In Pre-Columbian Art and the Post-Columbian World, Ancient American Sources of Modern Art. New York: Harry N. Abrams, 1993, ill. p. 269.Wilson 2004
Wilson, Adolfo. El modernismo latinoamericano en las colecciones venezolanas, Argentina, Brasil, México, Venezuela. Caracas: Sidor, 2004, ill. p. 18.Record last updated November 17, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Pez, 1932 (1932.32)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=1142 (accessed on April 20, 2025).