Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
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Classification: Painting
Medium: Oil
Support: On canvas
Year: 1931
1931.59 (estate: 394)
Constructif en blanc et noir
Alternate titles: Constructif en blanc; Estructura
1931
Oil on canvas
28 3/4 x 23 5/8 in. (73 x 60 cm)
Signed and dated lower center: J. Torres-GARCIA 31
Exhibitions
Museo de Arte Moderno, Madrid, Exposición de J. Torres-García, April 1–7, 1933. Traveled to: Sociedad de Artistas Ibéricos, Patronato del Turismo, Madrid, April 1933.
Cercle Artístic de Sant Lluc, Barcelona, Spain, L'obra pictòrica de Joaquín Torres-García, May 24–June 11, 1933.
Amigos del Arte, Montevideo, Uruguay, Primera Exposición en el Uruguay de Joaquín Torres-García, obras retrospectivas y recientes, de 1898 hasta 1934, June 1934.
Instituto de Arte Moderno, Buenos Aires, Joaquin Torres-García, Pinturas, April 1951, no. 17, ill., plate 5.
Musée d'art moderne de la Ville de Paris, France, Torres-García: Construction et Symboles, June 11–August 1975, no. 13, ill., as Constructif en blanc. Traveled to: Museo de Arte Moderna de Rio de Janeiro, Brazil, June 8–July 22, 1978 (América Latina Geometria Sensível).
Published References
Frances, José. "Vida Artistica: Torres-García o la integridad estética." Nuevo Mundo (Madrid), May 12, 1933, ill. p. 37, as Estructura.
de C., M. "La Exposicion de Torres Garcia en 'Amigos del Arte.'" El Pueblo (Montevideo), June 8, 1934, ill.
Torres-García, Joaquín. Lo Aparente y lo concreto. No. 5. Montevideo: Asociación de Arte Constructivo, 1948, ill.
Cassou, Jean. "Un Apóstol: Torres-García." Translated by Maria Luisa Torrens.. El País (Montevideo), March 19, 1960, ill.
de Torre, Guillermo. "Torres-García y su Constructivismo." Minorías y masas en la cultura y el arte contemporáneo. Buenos Aires: EDASA, 1963, ill. p. 350, no. 9.
Torres-García: Obras Destruídas en el Incendio del Museo de Arte Moderno de Rio de Janeiro. Montevideo: Fundación Torres-García, 1981, ill. p. 54, no. 25.
Torres-García, Joaquín. Universalismo Constructivo. Vol. 1. Madrid: Alianza, 1984, ill. no. 2.
Remark

About the 1978 fire in Rio de Janeiro, Brazil

At daybreak on July 8, 1978, a devastating fire reduced the Museum of Modern Art in Rio de Janeiro to ashes. It was the worst catastrophe suffered by a museum since World War II. Twenty-five years later, there are several things worth recalling about this sad event, not least that it could have been avoided, as the Museum had been alerted by the International Council of Museums that it lacked the basic equipment to extinguish a fire.

Although the origin of the fire was never conclusively established, it is believed that it began in the auditorium after a performance earlier that night. The show had ended late and the watchmen closed the premises just before they left. A hastily extinguished cigarette or a short circuit were listed as possible causes. Someone driving by the Museum alerted the fire department. The first units to arrive were helpless to act, as the Museum's main water supply was shut off because somewhere in the building there was a leaky faucet. When the firefighters finally succeeded in getting the water flowing, it was too late to salvage anything. The fire had rapidly spread through the flammable partitions and the ventilation ducts. The New York Times of July 9 reported the blaze on its front page, describing how hours later, the building's concrete shell was still smoking, littered with piles of dirty gray sludge and broken glass.

Read more about the 1978 fire in Rio de Janeiro, Brazil »

Record last updated October 20, 2016. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Constructif en blanc et noir, 1931 (1931.59)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=1082 (accessed on April 20, 2025).