Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
Catalogue Entry
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1933.01 (estate: 543)
Forma anímica entrecruzada
1933
Tempera on cardboard
41 3/8 x 29 1/2 in. (105 x 75 cm)
Signed lower left: J.T.G; Dated lower right 33
Private collection, Houston
Provenance
Private collection, Houston
Exhibitions
The University of Texas at Austin, The University Art Museum, Texas, Joaquín Torres-García, December 1, 1971–January 16, 1972, no. 33.
The University of Texas at Austin, Archer M. Huntington Galleries, Texas, Joaquín Torres-García, 1874-1949: Chronology and Catalogue of the Family Collection, October 13–November 24, 1974, no. 72*, ill., 98 (Spanish version p. 108), Illustrated and listed as number 32 in Caracas exhibition catalogue. Traveled to: Fundación Museo de Arte Contemporáneo de Caracas, Venezuela, January 13–February 26, 1975; Galería INC, Museo de Arte Italiano, Lima, Peru, August 22–September 1975.
Sidney Janis Gallery, New York, Paintings, Reliefs & Drawings by J. Torres-García, October 4–29, 1977, no. 15. Traveled to: Gimpel & Hanover, Zurich, 1978; Gimpel Fils, London, April 18–May 20, 1978 (J. Torres-García 1874-1949: The Constructivist Work).
Meredith Long Contemporary, New York, Joaquín Torres-García Paintings: 1929- 1943, March 12–29, 1980. (Meredith Long Contemporary 1980), no. 3, ill. Traveled to: Meredith Long & Contemporary, Houston, May 1980.
Hayward Gallery, London, Torres-García: Grid-Pattern-Sign: Paris-Montevideo 1924-1944, November 14, 1985–February 23, 1986, no. 71, ill., p. 65. Traveled to: Fundació Joan Miró, Barcelona, Spain, March 13–May 4, 1986; Stadtische Kunsthalle Dusseldorf, Germany, June 28–August 17, 1986; Center for the Fine Arts, Miami, September 14–November 9, 1986; Museum of Fine Arts Houston, Texas, February 14–April 5, 1987.
Published References
Duncan, Barbara. "Latin American Catalyst." The Art Gallery Magazine (November 1974), ill. p. 18.
Jardí, Enric. Joaquín Torres-García. Translated by Kenneth Lyons. Barcelona: Polígrafa, 1974, ill. p. 188, no. 254.
Braun, Barbara. "Joaquín Torres-García: The Alchemical Grid." In Pre-Columbian Art and the Post-Columbian World, Ancient American Sources of Modern Art. New York: Harry N. Abrams, 1993, ill. p. 274.
Maslach, Adolfo. Joaquín Torres-García: sol y luna del arcano. Caracas: UNESCO, 1998, ill. p. 457, no. 313.
Barnitz, Jaqueline. Twentieth Century Art of Latin America. The University of Texas Press, 2001, ill. p. 129, fig. 5.1
Museé de Palais des Beaux-Arts. Abstraction: The Amerindian Paradigm. Brussels, 2001. Exhibition catalogue, ill. p. 77, no. 46.
Fló, Juan. "Joaquín Torres García y el arte prehispánico." In Imaginarios Prehispánicos en el Arte Uruguayo:1870-1970, Museo de Arte Precolombino e Indígena. Montevideo, 2006. Exhibition catalogue, fig. 5, ill. p. 60, as Forma anímica entrecruzada.
Gradowczyk, Mario H. Torres-García: Utopía y Transgresión. Montevideo: Fundación Torres-García, 2007. Exhibition catalogue, ill. p. 211, no. 6.51.
The Menil Collection. Joaquín Torres-García: Constructing Abstraction with Wood. Houston, 2010. Exhibition catalogue (2009–10 The Menil Collection), ill. p. 124, fig. 38.
Payne, Johnny. Conquest of the New World, Experimental Fiction and Translation in the Americas. University of Texas Press, 2011, ill. on cover.
Record last updated June 28, 2016. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Forma anímica entrecruzada, 1933 (1933.01)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=1370 (accessed on May 3, 2024).